In 1989 Lou Reed released what was probably his most critical political work with New York. One may call it a “concept” album, as each song reads like a chapter in a book. Reed tackles social issues from discrimination, environmental degradation, poverty, drug abuse, media manipulation, and domestic violence. Behind every song, the red thread that runs throughout the album is an unjust American economic system, perpetuated by elites and sustained by middle class apathy.
Karen Fiorito
“Hummersaurus Wrecks”
Here’s what Karen Fiorito has to say about her art at her online portal, Lil’ Fury Industries. Read the rest of her statement at the link.
I make art to combat apathy, provoke consciousness and unite people around humanitarian or political issues. Art can play a subversive role in society, offering an alternative narrative to the dominant culture. Traditionally, visual artists, especially in the United States, have been taught that political themes will devalue their work. University programs have largely ignored the history of posters and murals in their curriculum and critics often dismiss political art as “bad” because it is “propaganda.” However one feels about the subject, the fact of the matter is this: Art is about life, and politics affects every aspect of life on this planet.
Follow the link to read the full article, “Hummersaurus Wrecks” at the Agonist.